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But who is she? Spike Lee made his directorial debut with 1986's She's Gotta Have It, and 30 years later, expands the character study into his first TV series, a rhythmic exploration of sex, Brooklyn, and Black life. Nola Darling is an artist, an activist, a Brooklynite, and a sex-positive polyamorous pansexual with three emotionally volatile boyfriends.
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Campion's direction is dangerously erotic, while Benedict Cumberbatch gives one of his all-time great performances as a man so uncomfortable in his own skin he inflicts his pain upon others. He is similarly inclined to do that to her son, Peter (Kodi Smit-McPhee), who arrives at the ranch on summer holiday from college studies, but instead decides to take him under his wing, figuring he can mold him into the kind of man he thinks is worth being. He worships a rider named Bronco Henry and calls his softer brother George (Jesse Plemons) "fatso." When George marries a widowed innkeeper (Kirsten Dunst), Phil makes it his mission to mentally torture her. Benedict Cumberbatch plays Phil Burbank, a rancher who prides himself on the dirt under his fingernails and his ability to live with as few amenities as possible. And why wasn’t the horrific remake of Will and Grace mentioned? If Empire, a show about gangsterism and the gay character not really being any different or any less violent that his father as he rose to power gets mentioned then why not Modern Family or the now cancelled Will and Grace reboot? You guys have got to do better.The Piano director Jane Campion's return to feature filmmaking after more than a decade away is an absolute triumph, a chilling exploration of a man driven to cruelty by the pursuit of a masculine ideal in the American West. Ok, we all know about the era and the flamboyance and such but enough is enough. Billy Porter was too young to have lived that era but to me he is NOT acting at all. They (blacks) should get a petition going and have it end where it has presently stopped because it becomes more degrading each season it comes on. Last season was so gritty I got up and cleaned the screen on the television because I thought the screen may have been dirty. Why was Modern Family left off of the list? I can’t for the life of me figure out why blacks are not complaining about the quality of the writing and the overall appearance of Pose. Honorable Mention: The L Word: Generation Q, The Politician, The OA, London Spy, A Very English Scandal, 13 Reasons Why, When We Rise, Batwoman, The Fosters, This Close, Riverdale, Work in Progress, RuPaul’s Drag Race
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Have a look at our pics for the best TV series of the 2010s. TV still has miles to go to achieve a truer sense of representation–we can think of multiple glaring ommissions–but looking back it’s surprising how far we have come. Now kids can grow up cheering on their favorite drag queen, watching the New York Ballroom scene at the height of the AIDS crisis, and see a superheroine capture the villain and win a kiss from her crush. With the explosion of services has come an explosion of marvelous stories the likes of which have never reached a wide audience. It’s been wild, wonderful decade, and we can hardly wait to see what the next one has in store. We’ve grown more aware of intersectionality, gender identity, and sexual fluidity and we’ve seen major social and political advancements across the globe. We’ve seen an explosion in queer representation in film and TV, music, politics, and on social media. As we enter into the roaring ’20s, Queerty is looking back on the last 10 years of culture in our “Decade of Decadence” series.